By DAISY WALLAGE Monday, July 30, 2012 – with permission from EDP24 online
With an endless sky, tantalising glimpses of the The Wash and wildfowl flying overhead, this stunning, sometimes lonely view was lost for decades as time took its toll on east bank lighthouse at Sutton Bridge.
Now, after months of loving restoration, visitors can finally climb to the top and bask in the uninterrupted views that so inspired the artist and conservation pioneer Sir Peter Scott more than 70 years ago.
The view from the top. Picture: Matthew Usher.
Owners Sue and Doug Hilton bought the lighthouse, on the mouth of the River Nene, in November 2010 and are steadily achieving their goal of opening a museum and visitor centre at the site as well as restoring the landmark tower itself.
Earlier this month, we revealed that the Northern Lighthouse Board was selling off three lighthouses near Stonehaven, Lossiemouth and Thurso, with price tags ranging from £75,000 to £270,000 – along with a foghorn at Girdleness, in Aberdeen. All the buildings, once a beacon for sailors and fishermen, would be ideal for those willing to spend some time and money creating an unusual home.
Rua Reidh Lighthouse, on the other hand, is ready to move in to. The keepers’ accommodation, at the foot of the tower, has been run as a successful home and holiday accommodation for years.
This B-listed home sits in a stunning location, on the cliff edge at Melvaig, around 12 miles from Gairloch on the west coast – officially named as the happiest place in the UK last week – and overlooking the Isle of Skye to the south-west, Harris to the west and Lewis to the north. It is for sale at offers over £325,000. Building of the lighthouse was started by David Stevenson, one of the famous family of lighthouse engineers, in 1910. Two years later, it was helping steer boats safely through the seas. Continue reading Reprint – Finders Keepers→
What is a Widow’s Walk? It is definitely not a new dance!
I will give you a hint – It is a fixture built onto a house. It was prevalent in the days of sailing ships, both in Italy where it originated as a style of architecture, and also in eastern American houses on the waterfront.
Here’s a legendary quote on the use of the Widow’s Walk:
The widow's walk is the fenced in balcony on the top right
The faithful and dedicated wife, performing her daily circumambulations on the cold and lonely widow’s walk: The next sail to top the horizon may well carry her husband, gone to sea these many years. But not today. The sun sets, bringing to a close her lonely vigil for this day. Perhaps, though, the much-anticipated vision will appear tomorrow and if not tomorrow, the next day. – Fishermen’s Voice
That article gives more credit to the use of the widow’s walk for fire prevention rather than for lonely widows pining for their husbands. Below in the gallery are some photos of what a Widow’s Walk looks like.
It is not necessarily a lighthouse thing, but maybe, just maybe, a lonely lighthouse widow did walk around the lantern searching for the return of her man from town with the mail and groceries in his rowboat, or late from a fishing or hunting trip. On this website there are many stories of death on the water with a lighthouse background.
By the way, The walkway around the outside of a lighthouse lantern room (for cleaning the lantern glass) is called a Gallery, and the walkway around the light inside (for lens cleaning) is called the Lantern Gallery.
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Lighthouse Watch – House Rental, North Carolina, USA. c/w widow’s walk!
Caswell Beach house rental, North Carolina, USA. Interested? Contact
1 Widow’s Walk – A widow’s walk also known as a “widow’s watch” (or roofwalk) is a railed rooftop platform often with a small enclosed cupola frequently found on 19th century North American houses. A popular romantic myth holds that the platform was used to observe vessels at sea. The name is said to come from the wives of mariners, who would watch for their spouses’ return, often in vain as the ocean took the lives of the mariners, leaving the women widows.[1] In other coastal communities, the platforms were called Captain’s Walk, as they topped the homes of the more successful captains and supposedly ship owners and captains would use them to search the horizon for ships due in port.
However, there is little or no evidence that widow’s walks were intended or regularly used to observe shipping. Widow’s walks are in fact a standard decorative feature of Italianate architecture, which was very popular during the height of the Age of Sail in many North American coastal communities. The widow’s walk is a variation of the Italianate cupola.[2] The Italianate cupola, also known as a “belvedere”, was an important ornate finish to this style, although it was often high maintenance and prone to leaks.[3]
Beyond their use as viewing platforms, they are frequently built around the chimney of the residence, thus creating access to the structure. This allows the residents of the home to pour sand down burning chimneys in the event of a chimney fire in the hope of preventing the house from burning down
In it’s seventh year the National Galleries of Scotland’s writing competition, Inspired? Get Writing! asked beginning authors to write a story or poem based on one of the gallery’s paintings. This request fired the imagination of 1,200 entrants this year (2012).
Entries are judged in five categories: Under 12s, 12-14s, 15-18s, Adults Prose and Adults Poetry. The work must be inspired by a piece of art in the National Galleries of Scotland permanent collection, which can be viewed at any of the galleries or online. Prizes include writing workshops and free tickets to major exhibitions. Three collections of winning work from the competition have already been published.
Here is one of the winners from the youth category, and naturally it is a story about a lighthouse or it wouldn’t be here on this website.
This winning story was written by eleven year old (11) Eleanor (Ellie) Kirkland of Perth, Scotland. She had never been in a lighthouse before and had no idea of the inner workings, but her imagination inspired her to create this eerie short tale. I have been given permission to publish it here for you. I think it is very good.
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The Bell Rock Lighthouse that inspired Eleanor Kirkland's short storyThe Bell Rock lighthouse as it stands today - photo Wiki
Chance Brothers – Early Suppliers of Equipment for Canadian Lighthouses
The graphic to the left appeared on The Lighthouse Society of Great Britain (LSGB) website.
After much Googling for it I finally found “With regret, this website has been closed.” The information below is printed with permission of Dr. Ken Tretheway.
Dr. Trethewy’s site had all the data from this book on line in PDF files which I am going to host here as they are priceless documents showing the inner workings of older British and Canadian lighthouses.
The available PDF file, A Few Notes on Modern Lighthouse Practice, can be read, saved, and downloaded from this link (2.45 MB).
This book first published in 1855 is a copy of the original produced by the Chance Brothers factory. From the handwritten prices and information, it appears to be a salesman’s copy which would have been given to the prospective buyer. As each light was specifically made for one location only, then this would have been a one-of-a-kind catalogue.
Download the complete book here in PDF format 22.5 MBs (60+ pages) – right click the link for more options)
If you wish to print the book, this scanned version size was 8.5″ x 11″ (21.5 x 28 cms.)
In December 2011 I received a Guestbook entry from a Scottish ex-lighthouse keeper who said “I was made redundant from the service in 1992 and the last Keeper retired from the service in 1998 . . .” His name is Peter Hill and he has written a few poems about his life and also a book. The poem I like the best is reproduced below.
Peter was a keeper in Scotland and I was a keeper in Canada, and we have never met before, but he wrote in the poem below:
“I dress in darkness yet know my style, my clothes on dresser neatly piled.”
Now only a lighthouse keeper would write about this fact about dressing in the darkness to go on the morning shift. I did the same thing, as it allows our eyes to adjust to the darkness so we can see better before going outside to observe the weather for the upcoming weather report.
I hope you enjoy the poem as much as I did.
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The Lighthouse Keeper – A day in the Life
In softest echo and muffled beep, I am awakened from my shallow sleep Anticipating that very call! It’s a wonder how I sleep at all Accustomed and by ritual seed refreshed in body by slumbers need My motions slow and gentle take, while sleeping Mags, am careful not to awake I dress in darkness yet know my style, my clothes on dresser neatly piled. Shirt and jumper left till last, washed and ready for my watch.
The following article by Bella Bathhurst from the Notting Hill Editions Journal was passed to me by a BC lightkeeper. It was so well written I asked permission to reprint it here. Pay special attention to the author’s reasons for keeping lighthouses.
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Don’t Let the Lighthouses go Dark by Bella Bathhurst – published November 10, 2011
We are jettisoning lighthouses at our peril, writes Bella Bathurst, a lighthouse historian. Even in the age of GPS, they remain immensely useful, and retain deep symbolic power.
Twelve years ago, I wrote a book called The Lighthouse Stevensons about the construction of the lights around the Scottish coastline by Robert Louis Stevenson’s family. I was lucky to arrive at exactly the right moment. In 1999, the last of the British lights were being automated and the few remaining keepers were disappearing towards extinction. The men I spoke to were mostly at or near retirement age anyway; most saw the logic of their own removal even if they weren’t persuaded by its effects. At the beginning of the third millennium, you don’t need three grown men to change a lightbulb. But what none of those last keepers would ever have understood or sanctioned was the idea of the lights themselves being switched off.
The Skerryvore Lighthouse, 10 miles south-west of Tiree, in the Hebrides
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